Dadang Christanto 1965 Artspace : Kehilangan, Trauma Hingga Protes dan Memorialisasi Genosida 1965-1966

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Dadang Christanto 1965 Artspace : Kehilangan, Trauma Hingga Protes dan Memorialisasi Genosida 1965-1966
Di Posting Oleh : Berita Dunia (Ibrahimdera)
Kategori :

dari pameran terbaru Dadang Christanto 'Missing' yang sedang berlangsung di Wei-Ling Gallery Kuala Lumpur

‘There has been enough silence’: Artist honours victims of 1965 Indonesian masskillings [star2.com]

Dadang Christanto: Mengenang Mereka yang Tidak Kembali - kumparan

** pameran MISSING di Kuala Lumpur

Now Exhibiting: ‘MISSING’by Dadang Christanto at Wei-Ling Contemporary

by Alexa T – herdemag.com

foto karya : dokumentasi Dadang Christanto

simak juga dalam website ini

Dadang Christanto : Genocide 1965-1966 [IN RED; DARAH ITU MASIH SEGAR JENDERAL]

Dadang Christanto : Indonesia Genocide and  Painted Black on Their Faces

Trauma Horor Masa Kecil - Gatra

Di ruang pameran dipajang dua instalasi, Red Rain (2000) dan Cannibalism: The Memory of Jakarta-Solo 13. 14, 15 Mei 1998 (1998), serta lima lembar drawing. Temanya senapas, yaitu tentang korban kekerasan. "Lebih dari dua juta orang mati dibantai setiap tahun," kata Dadang kepada Gatra, di sela acara pembukaan pamerannya.

Cerita tentang pembantaian manusia membekas kuat di hati Dadang. Dia sendiri bisa dikatakan sebagai korban. "Ayah saya diangkut dengan truk pagi-pagi buta, sementara saya tidak mengerti apa-apa," kata Dadang. "Sejak saat itu, saya tak pernah lagi bertemu ayah." Peristiwa 1965 itu terus membekas dalam benak Dadang, hingga saat ini.

Lewat karyanya, seakan Dadang ingin bercerita tentang sejarah pahit masa lalunya. Ia ingin membuat orang-orang yang melihat karyanya merasakan keterlibatan emosi. They Give Evidence bukan sekadar dongeng mengerikan tentang pembantaian manusia. Ia menjadi hantu yang mengikuti perjalanan hidupnya.

Dadang Christanto Bangun Studio 1965 Artspace di Australia - Alfred Ginting AUSTRALIA PLUS

Dadang merawat ingatan tentang 1965 lewat karya seni. Ia pun menamakan studionya 1965 Artspace.

Dadang Christanto’s blood relations -  Susan Chenery.

Dadang Christanto is a haunted man. His art comes from suppurating wounds that cannot heal; from the poetic images comes a shout of pain.

It comes from the indelible memory of the eight-year-old boy whose father disappeared one night in 1965, the man dragged from his house in the village of Tegal, Central Java, by soldiers after a failed coup attempt on Sukarno’s military regime, conveniently blamed on the Indonesian communist party. It comes from the half a million or more people killed in just a few months. “They were killing farmers who did nothing,” the artist says. “They just wanted the land.”

At the time, Christanto’s mother would get leads that her husband might still be alive. She would go to the prison, but he was never there. Her son remembers her despair. More recently, he has spoken to someone who saw his father in the parking area of the police station covered in blood. “He was tortured.”

The families of the victims were formally shunned, left to bear a lifelong stigma. “If you want to kill the grass, you kill under the root,” Christanto says now. “That is the Suharto military thinking.”

Astri Wright, "Dadang Christanto, The Art Of Protest," International Gallerie [Mumbai],1998,pp34-45.pdf

FROM CULTURAL ACTIVISM TO COUNTER MEMORIAL: THE ARTWORK OF DADANG CHRISTANTO 1975 - 2005 

ALLISON PATRICIA GRAY 

Kajian Karya/Pameran

Portfolio Dadang Christanto –Dokumentasi Karya dari Gallerysmith 


Memberi Makna Pada Ingatan - Hendro Wiyanto

Dadang Christanto, Witnesses from Indonesia

Sue Ingham, PhD candidate at UNSW COFA

Response and Responsibility: On the Cosmo-politics of Generosity in Contemporary Asian Art Marsha Meskimmon

Kajian atas karya instalasi Dadang Christanto “Mereka Memberi Kesaksian”

Heads from the North: Transcultural Memorialization of the 1965 Indonesian Killings at the National Gallery ofAustralia - Katharine McGregor

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Wounds in Our Heart: Identity and Social Justice in the Art of Dadang Christanto - C. Turner

Preview : Abstrack, page 1-2

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LORONG PEMBANTAIAN (2015)

simak
Lorong Hitam Tak Kunjung Akhir : Mesin Jahit, Arang, Sikat Gigi, Cerita Rakyat, Tiada Maaf dan Lupa Ingatan (Amnesia) I Genosida Politik 1965

Wawancara Dadang Christanto oleh sbs.com.au (Audio)

Dadang Christanto: Karya Seni yang Terinspirasi Kekerasan

Ia dikenal atas karya-karya yang menggambarkan kekerasan sosial. Wajah, kepala, dan darah seringkali menjadi bagian dari hasil karyanya itu. Mengapa?

Genosida 1965 -1966 - Dadang Christanto

Apakah karakteristik visual yang utama dari karya-karya Dadang Christanto? Mengapa nama atau judul dari pameran ini penting? Mengapa peristiwa tahun 1965 -1966 masih tetap melandasi kebanyakan karya Dadang Christanto? Seniman Dadang Christanto menjelaskan semuanya itu.

Katalog Pameran

Dadang Christanto : Painted Black on TheirFaces

Keberpihakan Terhadap Korban Lumpur Lapindo

*Dadang Christanto tentu tidak hanya menyoal Genosida 65-66 tapi juga banyak persoalan lainnya, salah satunya adalah persoalan bencana lumpur lapindo

Katalog Pameran Dadang Christanto : Survivor

Dadang Christanto di Lumpur Lapindo - Sunardian

simak 470 ‘entry’ lainnya pada link berikut

Daftar Isi Perpustakaan Genosida 1965-1966

Road to Justice : State Crimes after Oct 1st 1965 (Jakartanicus)

Definisi yang diusulkan D. Nersessian (2010) untuk amandemen/ optional protocol Konvensi Anti-Genosida (1948) dan Statuta Roma (2000) mengenai Pengadilan Kejahatan Internasional. (disalin dari Harry Wibowo)

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